The Centre Pompidou is to stage the first ever large-scale exhibition devoted to
the work of French architect Dominique Perrault. With this, having earlier paid tribute to Christian de Portzamparc (1996), Renzo Piano (2000), Jean Nouvel (2001), Thom Mayne (2006) and Richard Rogers (2007), the Centre continues in its commitment to promoting knowledge and understanding of contemporary architecture through organising exhibitions on the world’s great architects. Dominique Perrault’s name immediately calls to mind the Bibliothèque Nationale de France, an East Paris landmark which, conceived as a non-architecture, the simple delimitation of a volume around a garden, is today recognised as having inaugurated a new logic of the architectural object and its environment. However, his 200 built and unbuilt projects across the world (among the former the Olympic Velodrome in Berlin, the New Mariinsky Theatre in Saint-Petersburg and the Ewha University in Seoul) form a body of work that cannot be represented by a single building, however emblematic, evidencing rather a continuous development, a perpetual search for groundbreaking forms of expression, from Spain to Russia, from Austria to Korea, from Italy to the United States.

Over more than a thousand square metres, the exhibition in the Galerie Sud will present the work of DPA – Dominique Perrault Architecture through models, photographs and drawings, while films by Richard Copans (Les Films d’Ici), specially commissioned for the exhibition, will offer a comprehensive survey of completed and current projects. The exhibition design exploits the architectural metal mesh that Perrault was the first to develop and use, which offers a key to his conception of space. His research on materials, on the emotional force of the play of matter and light, is driven by a minimalist vision in which the architectural space is generated by a calculated deployment of elements. For this is an architecture of matter, and Perrault creates not buildings but landscapes. Simple forms and fundamental concepts transform the sites in which they are inscribed, in a minimal intervention unafraid to use empty space to create resonance. The many projects included in the exhibition testify to the formal productivity of this approach and to its many virtues, environmental, urbanistic and social. Visitors will see in particular how the European Court of Justice in Luxembourg and Convention and Exhibition Centre
in León, Spain, act as points of crystallization for wider urban plans that are rich in potential; how the layout of the new Ewha University campus in Seoul naturally and unemphatically guarantees an exceptionally high degree of energy efficiency; how the new Olympic Tennis Stadium in Madrid can adapt itself to changing requirements; how the New Mariinsky Theatre in Saint-Petersbourg is elegantly integrated into a sensitive World Heritage Site; and how this approach deals with the urbanistic and technical challenges represented by the skyscraper, whether in the two inclined hotel towers for the new Milan Fair Complex presently under construction, the Habitat Sky Hotel being built on Barcelona’s Diagonal, or the twin towers that will serve as a gateway to the Donau City riverside quarter in Vienna.